Last year, I bought the latest Radiohead album, Hail To The Thief. Last week, I decided I wanted to be able to listen to it on my laptop whilst at work.
Personally, I would classify being able to do that as “fair use”.
However, EMI in their infinite wisdom have “copy-protected” the disc. Of course, by “copy-protected” I really mean “corrupted”. Some digging on Google revealed that the corruption mechanism used by EMI is known as “Copy Control” and is produced by a company called Macrovision. More digging revealed that this is apparently one of the more difficult protections to crack (i.e. it can’t be foiled by “holding down Shift when inserting the CD”, or “applying some judicious felt-tip pen to the disc”). Basically, if you have one of these discs, it’s pretty much a lottery as to whether or not you can rip it, depending on your CD drive.
I have three CD drives - one in my laptop (which steadfastly ignored the disc) and two in my desktop. Of the two in my desktop one is an old 48x CD-ROM drive which made worrying noises when I inserted the disc, and the other is a Ricoh DVD-CDRW combo drive.
I was lucky. Using CDex I was able to extract every track except the first one to WAV using my RICOH drive. I then subsequently encoded the WAVs to MP3 using LAME.
The only problem was the first track. For some reason ripping it was never perfect, with varying amounts of jitter error on each attempt. My only guess is that EMI corrupted the first track more than the others to deter determined CD drives from reading the disc. Bastards.
The best rip I got doesn’t have the first 3 seconds and has a few pops at the end, but I guess it’s better than nothing.
So, EMI, screw you. It took a few hours, but I now have an almost perfect rip of the CD I bought with my own money.
If anyone else has experience defeating Macrovision protection on EMI discs I’d like to hear it. I can’t believe this corruption scheme is unbeatable…